famous-bio

Goran Bregovic (born March 22, 1950) is a musician from Bosnia and Herzegovina and one of the most recognizable modern composers of the Balkans. He declares himself as a Yugoslav.

Composer and guitarist Goran Bregović has been a household name in the Balkans for over three decades. Born in Sarajevo, Bosnia and Herzegovina (then Yugoslavia), Bregović has composed for such varied artists as Iggy Pop and Cesaria Evora. He earned his fame wielding a guitar with his rock band Bijelo Dugme, a group that rose to stardom and set the groundwork for the Yugoslav rock scene. Known internationally for his scores for Emir Kusturica’s films (Time of the Gypsies, Arizona Dream, Underground), Bregović commands an ensemble that matches his larger-than-life persona. A rowdy brass band, bagpipes, a string ensemble, a tuxedo-clad all-male choir from Belgrade, and traditional Bulgarian and Roma singers make up his dynamic 40-piece band and orchestra. Bregović’s compositions, extending Balkan musical inspirations to innovative extremes, draw upon European classicism and Balkan rhythms, evoking rock’s searing power as well as the repose of sacred sounds–all fueled by the insistent drive of brass.

Goran Bregović was born in Sarajevo (now in Bosnia and Herzegovina, but then in Yugoslavia) to a Croat father and a Serb mother. His father was an officer in the Yugoslav People's Army. His parents divorced and he remained living with his mother in Sarajevo.

Goran played violin in a music school, but was thrown out of it in second grade for being untalented. His musical education was thus reduced to what his friend taught him until Goran's mother bought him his first guitar in his early teens. Bregović was to enter a fine arts school but his aunt told his mother that it was full of homosexuals. His mother sent him to a technical (traffic) school and allowed him to grow long hair as a compromise. Upon entering the school, Goran joined the school band Izohipse and played bass guitar. But he was kicked out of that school, too (this time for misbehaviour - he crashed a school-owned Mercedes). Bregović then entered grammar school and its school band Beštije (again as a bass guitar player). When he was sixteen, his mother left him and went to the coast. Goran had to take care of himself. He did that by playing folk music in a bar in Konjic, working on construction sites, and selling newspapers.

At a Beštije gig Željko Bebek spotted him and invited him to play bass guitar in his band Kodeksi. Goran accepted. In the summer of 1969 they played for tourists in hotel Splendid in Dubrovnik. After finishing their job there, they were invited to Naples to play in a night club. They accepted, but lost their employment there by playing more progressive music and refusing to play the same repertoire as in Dubrovnik, which was what the owner wanted of them. Still, they remained in Naples and continued to play the music they fancied. In next few months Kodeksi shifted setup so Goran moved from bass guitar to lead guitar, and in the summer of 1970 "Kodeksi" had the following line-up: Goran Bregović, Željko Bebek, Zoran Redžić and Milić Vukašinović. All of them would eventually become members of Bijelo dugme at some point in the future. At the time, they were largely influenced by Led Zeppelin and Black Sabbath, which was the merit of Milić Vukašinović who "infected" them with that kind of music. In the fall of 1970 this resulted in departure of Željko Bebek who (both as rhythm guitar player and singer) wasn't needed anymore in the band. At the end of the year, Goran's mother and Zoran's brother arrived to Naples and took the band back to Sarajevo.

Then in the autumn of 1971 Goran entered university and decided to study philosophy and sociology. He soon quit, however. In the same time Milić Vukašinović left for London, so Goran and Zoran started playing in a band, named Jutro (trans. "Morning"). The band in the next few years transformed a lot and on January 1, 1974 the band changed its name to Bijelo Dugme ("White Button").

At the time Bijelo Dugme was falling apart, Goran entered the world of film music. His first project was Emir Kusturica's Time of the Gypsies (1989) which turned out a great success (both the film and the music from it). Goran and Emir's collaboration continued, and Goran composed music (which was performed by Iggy Pop) for Emir's next film Arizona Dream (1993). His next major project, music for Patrice Chéreau's Queen Margot was again a great success, and the film won two awards on the 1994 Cannes Film Festival. Next year's Golden Palm went to Underground, for which Goran Bregović composed the music.

Bregović's music carries both South Slavic and Romani themes and is a fusion of popular music with traditional polyphonic music from the Balkans, tango and brass bands. Although he is a very popular musician in Eastern Europe, Bregović has been accused on several occasions of 'stealing' original Romani and folk music of the Balkans and ultimately rewriting and branding it as his own creation. In 1997, he worked with Turkish singer Sezen Aksu, on her album Düğün ve Cenaze. After that album, he continued making composite albums with other musicians which were based on his musics and singers' lyrics. He made an album with Georgeus Dalaras (a.k.a George Dalaras) in the year 1999 named Thessaloniki - Yannena with Two Canvas Shoes. In the year 2000 Bregović recorded an album Kayah i Bregović (Kayah and Bregović) with popular Polish singer Kayah which sold over 650 000 copies in Poland (6 times platinum record).

In 2005 he took part in 3 large farewell concerts of Bijelo Dugme.

Goran Bregović currently lives in Paris with his spouse Dženana Sudžuka and their three daughters: Ema, Una and Lulu. He also has a daughter Željka (from his previous relationship) who gave birth to Goran's grand daughter Bianca. He has a brother named Predrag who lives in New York.

A number of works by Bregović can be heard on the soundtrack to the 2006 film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, most notably Đurđevdan. The film itself actually features more Bregović samples than the soundtrack.

Source : www.wikipedia.org

"Confessions" is the name of a series of thirteen autobiographical books by St. Augustine of Hippo written between AD 397 and AD 398. In modern times, the books are usually published as a single volume known as The Confessions of St. Augustine in order to distinguish the book from other books with similar titles such as Jean-Jacques Rousseau's Confessions.

The book tells about his sinful youth and how he converted to Christianity. It is widely seen as the first Western autobiography ever written, and would be an influential model for Christian writers throughout the following 1000 years of the Middle Ages. It is not a complete autobiography, as it was written in his early 40s, and he lived long afterwards, producing another important work (City of God); it does, nonetheless, provide an unbroken record of his evolution of thought and is the most complete record of any single individual from the 4th and 5th centuries. It is a significant theological work. In the work St. Augustine talks about how much he regrets having led a sinful and immoral life. He talks about how he regrets following the Manichaean religion and believing in astrology. And he talks about how Nebridius helped to persuade him that astrology was not only incorrect but evil. And he talks about how St. Ambrose helped convert him to Christianity. He also talks about how much he regrets his sexual sins and how important sexual morality is to him. He also says that when he was in school that his favorite subject was mathematics because it was concrete and rigorously defined whereas other subjects were not.

1. His infancy and boyhood up to age 14. He speaks of his inability to remember the sins he almost certainly committed during this time. Children serve as insight into what man would be if it weren't for being socialized into waiting one's turn. God teaches us to think of others before we think of ourselves, unlike children who cry until they are fed.;
2. His fall amongst bad companions, which led him to commit theft and succumb to lust. Augustine comes from a good family and he himself has never wanted for food. In this chapter Augustine explores why then did he and his friends steal pears from someone else's tree? He had many more, better pears of his own. He explains the feelings he had when he ate them and threw the rest away to the pigs. Augustine argues that he would not have stolen anything, probably, had he not been in the company of others who could share in his sin. Some insight is given into group mentality.;
3. His studies at Carthage, his conversion to Manichaeism and continued indulgence in lust between 16 and 19;
4. His loss of a friend and his studies in Aristotle and the fit and the fair between 20 and 29. Augustine is overcome with grief after his friend dies in his absence. Things he used to love he began to hate because everything reminded him of what was lost. He concludes that any time one loves something not 'in God', one is bound to feel such loss. Augustine then suggests that he began to love his life of sorrow more than his fallen friend.;
5. His moving away from Manichaeism under the influence of St. Ambrose in Milan at 29. Augustine starts to understand that things said simply can be true, while things put eloquently may be lacking in substance. He is unimpressed with the substance of Manichaeism but has not found something to replace it. He feels a sense of resigned acceptance to these fables as he has not yet formed a spiritual core to prove their falsity.;
6. His moving towards Catholicism under the influence of St. Ambrose at 30. He is taken aback by Ambrose's kindness but still does not understand the substance of his teachings.;
7. His moving towards a greater understanding of God at 31;
8. His conversion to Christianity at the age of 32 and his instruction by Simplicianus on how to convert others; (See Book 8 Summary)
9. His baptism at 33, the death of his mother Monica and the death of his friends Nebridius and Vecundus, and his abandonment of his studies of rhetoric;
10. Continued reflections on the values of confessions and on the workings of memory, as related to the 5 senses.
11. Reflections on Genesis and searching for the meaning of time;
12. Continued reflections on the book of Genesis; and
13. Exploration of the meaning of Genesis and the Trinity

Source : www.wikipedia org